劉別謙(🍶)初(chū )嚐美高梅大製作的派(pài )頭，一切筆法更(⛑)神(🔌)采飛揚。開敞的(de )場景、空(kōng )前(⏪)的排(🏠)場讓人(🌹)物裏(🏏)裏外(🌴)外恣意(🔗)張開：寡婦的(🏷)心(🍡)更顯孤獨，男(👩)女的愛(😍)更加沒處安(💓)放。坐擁(📟)小國大部分財富的寡(🧗)婦忽(🧕)然(🖌)要搬到巴(bā )黎重新尋找生活色彩，國王(wáng )唯(👕)恐國祚(🙃)不保(✋)來(🐢)一招美男計，派出風流種子色誘寡婦。本(běn )來一個用情(👗)一個求性，幾番邂逅與折騰，改寫了男男女女的基本需要。歌與舞沒有賣弄甜膩，反(fǎn )而放在愛情的沉重(chóng )中換來了歌頌(⛴)。歌(🎱)與影無間交(♉)流，劉別謙輕(qīng )歌劇(🔉)巔峰之作(🌕)，亦成了(✴)荷里活極(🔣)有代表性的一(😒)章(🚱)(zhā(🏥)ng )。司花利亞與珍娜．麥當奴最後一(😘)次合作，後(🍕)者散發從未有過(guò )的(🐦)成熟韻味(wèi )。堪稱最性感的音樂劇(😧)。 (🚠) Rated "the sexiest musical in the thirties", The Merry Widow could well be the sexiest musical ever. Jeannette MacDonald, sensual and majestic as a Persian cat, is the wealthiest widow in the kingdom of Marschovia. On a visit to Paris, she attracts a flurry of gold-diggers. To prevent her fortune from passing to foreign hands, the king sends a romantic envoy to court her. He chooses Captain Donilo, whose cavalier attitude to women is not limited to his rapport with Maxim's "girls, girls, girls". Osé but not blasé, this elegant adaptation of Franz Lehar's operetta out-classed von Stroheim's silent in opulence, culminating in the grandest of grand balls. Source: 28th HKIFF[展开全部]
